Cooper Robertson’s work for The Whitney Museum of American Art was recently featured in the cover story of The Construction Specifier’s April issue:

“How can natural and electrical daylighting affect museum spaces? This article seeks to answer that question, focusing on the challenges of ultraviolet (UV) light and artificial illumination–which can both deteriorate works of art. It uses a case study of a New York City museum to illustrate the effectiveness of light-emitting diodes (LEDs), clerestories, and skylights.”

Read the article at The Construction Specifer, or view the digital edition as printed, courtesy of Kenilworth Media.